The interactive light installation works with the state of public space, the relationship of the society to it and its historical and cultural values. Most of the present interventions in public space are the marketing or political instruments, with lack of quality both in realization and aesthetic. The spectator is interacting with the installation, his presence reveals traces of several architectural monuments, which are either in this installation or reality, covered by the Potemkin scenes of progress. The form of the installation correlates with the theater space, in which one can watch the scene as a spectator or actively participate in it through one’s interaction.
place: Festival V novom svetle, Považská Bystrica